Sanatorium Merkurial MX is a special festival project taking place in Mexico City, developed in collaboration between the Polish festival Sanatorium of Sound and the artistic collective Merkurial. The programme brings together artists connected to both projects, whose practices emerge from different cultural, musical and geographical contexts. These highly individual artistic practices find common ground in the way they develop their own musical languages and address artistic challenges beyond the dominant narratives of the Western European avant-garde. Mexico City is not simply a location for this edition. The project grew out of Robert Piotrowicz’s long-standing involvement with Mexico’s experimental music scene, developed over many years through concert visits, performances, projects and collaborations with artists, festivals, organisations and cultural institutions. Sanatorium Merkurial MX is conceived as a continuation of these longstanding connections and as another step in the ongoing relationship between artistic and curatorial practices associated with the project and the contemporary music scene in Mexico City. One of the central territories explored by Sanatorium Merkurial is the broad and often ambiguous space between contemporary abstract music and traditional music. Here, tradition does not function as something to be reconstructed, preserved or simply reinterpreted. Its traces — rhythms, forms, modes of organising sound, cultural memory and individual genealogies — become material for entirely new creative gestures. The programme therefore creates a field of exchange between abstract contemporary practices and radically contemporary forms that carry echoes of different musical traditions without attempting to reproduce them. This speculative bringing together of otherwise different artistic positions is complemented by a broader recognition of the changing condition of contemporary performance. Sanatorium Merkurial places particular emphasis on the affective dimension of abstract music — on its capacity to operate through the body, intensity, tension and the relationship between performer and audience. Through affect, music can move beyond the autonomy of its formal structures and acquire a different presence within social and political space. Sanatorium Merkurial MX focuses precisely on this expanded field: a space in which musical abstraction becomes at once a physical, cultural and social experience. PROGRAM The programme at Fonoteca Nacional has been developed specifically for the institution’s format and brings together three performances. Tomasz Krakowiak works with percussion, objects and acoustic phenomena, focusing on the physical properties of sound, vibration and resonance, and their relationship with space. Katarzyna Karpowicz and Marek Pospieszalski continue a collaboration initiated at Sanatorium of Sound in 2025. Their music brings Karpowicz’s distinctive approach to traditional Japanese instruments and electronics into dialogue with Pospieszalski’s language of composition and improvisation, transforming different instrumental traditions into a contemporary musical form shaped by timbre, tension and a highly physical approach to sound. Rogelio Sosa is a Mexican composer and sound artist whose practice moves between composition, improvisation, performance and sound installation. His recent electronic work is built around self-developed feedback systems that generate complex, continuously transforming sonic structures, while drawing on ritual and ceremonial practices from different cultures to construct syncretic and imaginary musical worlds.