
Come join us on a Journey into Sound and Light: Ep 011 This will be our eleventh Journey into Sound and Light gathering, and the last one for 2026. It’s been great to see this community slowly grow since our first one in 2023. This fall, join us for an evening of slow moving sounds and analog/audio-reactive visuals on Sunday, November 29th. We look forward to welcoming you back to the Museum of Modern Renaissance. This space is a former Masonic Lodge that has been turned into a Temple of Art by Ekaterina Sorokina and Nicholas Shaplyko. Doors open at 6:00 pm and we will have three performances lasting from 7 to 9 pm. Come early to reserve your space as we expect to be at capacity. Sounds will be created by the artists; Victoria Anine, Will Greene and Laoti, and EHMN. JMOLE, Emma Lucille, and VJ Zombie will visually transform the space with their projections. There will be a mix of seating and floor space to get comfortable. Please bring props like pillows, blankets or yoga mats to sit/lay on if you would like to be cozy. This is a space for you. A space to slow down, be present and feel. This is your Fels. About the Artists Victoria Anine is an artist from upstate New York making ethereal pop(ish) music in genre that she calls Enya Metal. The music relies heavily on vocal layering, chimes, strings, and sounds from the deep sea. The result is an atmospheric journey that alternates between feelings of meditation and prayerfulness, and uplifting gratitude! An important aspect of each performance is the allowance for room to improvise, and to build impromptu extensions of the more formally composed works. The overall goal of the work is to get the body and spirit moving together in a positive way. Engineer and guitarist Will Greene joins yogi & sound healer Laoti for a live collaboration: original guitar pieces and downtempo grooves woven with crystal singing bowls and immersive ambient textures drawn from Will’s original field recordings. EHMN is the electronic avant garde project from Donnie Martin (@dmartin_sound), an improviser, performer, composer, synthesist, and educator from Boston, Massachusetts. He teaches electronic music synthesis fundamentals and advanced modular synthesis courses in the Music Technology Program at New York University Steinhardt. Pronounced like a subtle clearing of the throat, EHMN utilizes raw, fundamental sonic dimensions controlled within a eurorack modular synthesizer using elements of east and west coast techniques to achieve expressive abstractions of organic timbres. Starting in early 2026, Donnie began exploring complex drone and feedback systems inspired by the pioneering practices of the late composers, Éliane Radigue and Jaap Vink. His academic research concentrates on spatial movement and manipulation via in-air sound synthesis by controlling the three-dimensional interaction of sound waves projected in multi-channel systems. In 2023, he co-published a paper with Paul Geluso and Lars Graugaard for the AES International Spatial and Immersive Conference titled “Creating in-air 3D sound objects for immersive sound applications and electroacoustic music.” Additionally, Donnie’s work focuses on improvisation, dimensions of electronic music composition and performance, and solutions for adapting synthesizers for the visually impaired as he has lectured on these topics at New England Synthfest 2024 and 2026. Emma Lucille is a multidisciplinary illustrator from New England, known for her work that evokes a sense of wonder and invites viewers to explore new experiences. For this event, she collaborates with VJ Zombie, blending her live-drawn visuals with his generative digital animations creating a dynamic, evolving experience. Lucille’s digital illustrations respond to the ambient music, shifting in sync with the soundscapes. This collaboration invites the audience into a fluid interplay of image and sound, immersing them in a sensory journey of discovery and reflection. VJ Zombie VJ Zombie is a Boston-based visual jockey and video artist from Madras, India, whose work explores the transformative power of light and its ability to reshape spaces. Since 2010, his practice has intersected music, visual storytelling, and technology. With a minimal aesthetic and a meticulous approach, he crafts surreal, dreamlike experiences using projection mapping, custom-built LED fixtures, and generative, audio/motion-reactive visuals. His recent collaboration with illustrator Emma Lucille combines her live drawings in his VJ sets, creating a dynamic interplay between stark, code-based generative geometric forms and organic, hand-drawn lines—intricately choreographing a dance between the two in real time.