Online tickets: $15 Doors: $25 ๐๐ผ๐ ๐๐ป๐ฑ is back with yet another night of DJ/hybrid sets from ๐๐๐๐๐, ๐๐๐๐๐ฌ๐ญ๐ฌ๐ญ๐ฌ๐ญ๐ฌ๐ญ, ๐๐ก๐๐ฅ๐-๐ฎ๐ฐ, and ๐๐ฟ๐๐๐ป, and live bars from MC ๐ง๐๐ก๐๐ฌ. ๐๐ผ๐ ๐๐ป๐ฑ's 10th edition features a lineup of selectors that all share the ability to navigate a maelstrom of genres with ninja-like precision, pulling every sound under the bass umbrella into one seamless night. In the spirit of cypher culture, ๐๐ผ๐ ๐๐ป๐ฑ is honored to carry the night for Illegal Anglers' battle - SG's tutting and fingertutting community, going down earlier the same day. With MVP support from Upper Serangoon Sound System - SG's underground community's very own sound system hero powering the subs and delivering our defining Low End. -- ๐๐น๐น๐ฒ๐ด๐ฎ๐น ๐๐ป๐ด๐น๐ฒ๐ฟ๐ is a Singapore-based community of dancers dedicated to cultivating and sharing the art of tutting, finger tutting, and gloving. Every angle, line, and geometric movement becomes their canvas for creativity and individuality. -- ๐๐๐๐๐ (aka zing) has carved out a space of her own with her genre-blurring sets since she stepped into Singapore's underground dance music scene. Driven by her collector's passion, she's brought her diverse palette of groovy rhythms and spicy flavors to nightlife gigs and daytime parties across the city. She rarely sticks to one genre for long - mixing everything from rare groove to trip hop, and from deep house to techno, along with unexpected sounds from the far edges of electronica. As the latest addition Revision Music, she brings a funky fresh dose of fun to the mix. -- Deeply influenced by the weight of UK sound system culture but adaptable in its direction, ๐๐๐๐๐ฌ๐ญ๐ฌ๐ญ๐ฌ๐ญ๐ฌ๐ญ combines tactile hardware and Ableton to focus on raw sonic textures. The foundation is built on fluid percussive parameters ranging from the deep and hypnotic to the heavy and intense, keeping the space eclectic and entirely dedicated to personal taste. Execution will always be live, utilizing a modular setup tailored to the environment of each performance. Gears: Digitakt, Model:cycles, Drumbrute, DrumLogue, TD3 MO, Microfreak, Polyend Tracker -- ๐๐ก๐๐ฅ๐-๐ฎ๐ฐ is a name that has quietly become essential to those paying attention amidst the sonic intensity of Singapore's underground. He has shared spaces with the likes of Koichi Shimizu, Xhin & OAKE. Building sets that are non-linear but move through broken beats, odd angles, and intense low ends, and layering textures over formulas that keep bodies slightly off-balance - expect rhythms that lurch and stutter, and grooves that fracture and mutate under dynamic tension and heavyweight pressure before opening into something altogether unexpected. -- Nothing quite scratches the itch in ๐๐ฟ๐๐๐ป's brain like bass music. It's been at the heart of her DJing since day one. She's always felt too electronic for the hip hop crowd and too hip hop for the electronic crowd, so she created ๐๐ผ๐ ๐๐ป๐ฑ, a platform where both worlds could share the same room. A resident selector for Kings of Bass, founded by DnB veteran Aresha, she's shared lineups with artists like P Money x Whiney (Hospital Records), Monroe & Duskee (Shogun Audio), Imanu (VISION), Buunshin (UKF), as well as Thys (Noisia), and Operate (Overview) beyond the KOB banner. Bass is an expansive spectrum and ๐๐ฟ๐๐๐ป's sound reflects that. Her selections drift between deep, neuro 140 and melodic, ambient half-time, tied together by a love for leftfield experimentation. -- For ๐ง๐๐ก๐๐ฌ, rap isnโt just musicโitโs a way to push boundaries, both personal and cultural. Born and raised in Singapore, ๐ง๐๐ก๐๐ฌ grew up surrounded by the pulse of the city and the rhythm of global hip-hop. It didnโt take long before he began carving out a sound of his ownโone that blends vulnerability with swagger, technical precision, and emotional depth. His breakout moment came with โYOUโ, a collaboration with Rangga Jones that tapped into something bigger than just catchy hooks. The track resonated deeply, amassing over 2 million streams across platforms and landing on more than 20 editorial playlists. It wasnโt just a songโit was a statement of intent.